Frame-accurate time
Every time is kept in frames at the channel’s own rate, from 23.976 to 59.94, drop-frame timecode included.
Catalog, week templates, programme orders, ad and promo placement, frame-accurate playlists, playout export and as-run reconciliation — one platform for linear broadcast, FAST and streaming channels, with AI agents built in.

Every programme and promo order on a channel at a glance: what airs this week, how far each series has run, and what needs attention.



Schedulers, traffic managers and playout operators work on one plan, each with the tools for their part of it.
Every time is kept in frames at the channel’s own rate, from 23.976 to 59.94, drop-frame timecode included.
Broadcast day start, first weekday and time zone are set per channel, so each feed runs on local time.
A main playlist and an ads playlist, linked at exact break positions, so changes in one show up in the other.
The next episode in the next slot, repeats days later, and every airing shifted at once when plans change.
Commercials and promos placed with clash codes kept apart; rotation lists keep idents and fillers fresh.
Gaps, overlaps, missing media and expired rights are flagged before the playlist is exported.
Adapters connect the media asset management and playout automation you already run, without locking you in.
Each company’s data kept apart, with roles set by module, action and channel.
Linear broadcast, FAST and streaming channels share one core. Series, film, music, news, sport, kids and public channels differ only in settings and rules — never a separate product.
Episodes split at break points, repeats and sister channels.
Long blocks, with break points taken from each title’s segments.
Rotation lists that keep artists and categories apart.
Fixed bulletins and last-minute changes without losing the day.
Live events and overruns, with the rest of the schedule kept in step.
Air windows keep every item in the hours it may be shown.
Always-on channels with programme guides for streaming platforms.
Schedules with little or no advertising, on the same core.
Early access starts with a demo on a channel like yours, then a trial on your own catalog and templates.
Scheduling plans the programmes: templates, series, films and their repeats. Traffic handles what fills the breaks: commercials, promos and fillers, and their reconciliation after air. 9eye does both in one system.
9eye connects through adapters. Playlists export as BXF and in common automation formats. Tell us which systems you run when you request a demo, and we confirm the fit before you start.
23.976, 24, 25, 29.97 drop-frame, 30, 50 and 59.94 drop-frame. Each channel has its own frame rate, time zone, broadcast day start and first weekday.
Yes. During early access we import your catalog and templates with you, from spreadsheets or exports of your current system.
It runs in the cloud. If you need a dedicated cloud or your own data centre, tell us when you request a demo.